IN FOCUS
ARTICLES, INTERVIEWS, AND PHOTOGRAPHY INSIGHTS
TOKYO AT THE SPEED OF ATTENTION
Tokyo hit me all at once — neon, motion, sound. But long exposure changed the pace of everything, turning crowds into atmosphere and chaos into something almost gentle. This is what happens when you stop trying to keep up and start letting the city reveal itself.
WHEN VOLLEBAK BECAME MORE THAN A BRAND
In the days after losing my home in the Lahaina fire, I never expected the company whose storytelling inspired me for years to suddenly tell mine. What Vollebak did during that moment meant more than they’ll ever know.
WHY FAMILY TRIPS MAKE PHOTOGRAPHY HARD — AND WHAT YOU CAN DO ABOUT IT
Every photographer knows the tension of traveling with family while hoping to make meaningful images. The rhythm of a vacation rarely matches the rhythm of photography — but with the right mindset, the two can coexist far better than we think.
WHEN THE WORK BECOMES EVERYTHING
Every artist knows the season when creation demands everything. When you’re the one making, editing, writing, and building, there’s no balance—only the work itself. But inside that intensity lies a deeper understanding of why we create at all.
DOES PHOTOGRAPHY NEED TO CHANGE THE WORLD?
There’s a quiet pressure in creative work—to make it matter, to prove it means something. But not every photograph needs to carry a message. Sometimes, the most meaningful work is the kind that simply helps you see more clearly. And remember who you are.
WHAT MAKES MAUI BEAUTIFUL DOESN’T ALWAYS MAKE IT PHOTOGRAPHIC
The camera doesn’t respond to beauty the way the eye does. On Maui, that truth becomes obvious fast. For photographers, it’s not just about finding the scene—it’s about learning to see differently. Slower. More deliberately.
INTRODUCING CREATIVE TRADECRAFT: JAMES BOND MEETS THE PHOTOGRAPHER’S MINDSET
For years, I’ve used subtle rituals to shift my mindset before I shoot—like stepping into character. Not to pretend, but to become more focused, more present. This book shares that internal process, drawn from years of fieldwork, reflection, and a few unlikely influences—like spies.
MAUI AND TOKYO—TWO WAYS OF SEEING
Before I leave for Tokyo, I’ve been thinking about the difference between long-form and short-form study—between deep familiarity and fast clarity—and how each shapes the way I photograph and teach. Whether it’s a workshop in Maui or a night shoot in Shinjuku, it all comes back to one thing: learning how to truly see.
SEBASTIÃO SALGADO WAS WHAT A PHOTOGRAPHER SHOULD BE
Reflecting on the passing of a legend, this tribute to Sebastião Salgado explores the depth of his work, his influence on my path, and what he gave to the world through photography.
THE IMAGE SPEAKS—BUT YOU CAN TOO
If you’ve been doing strong work for years and still feel like you have nothing to say about it—maybe it’s time to ask yourself why. Not to shame yourself. But to see that this might be the doorway to something more.
THE PATHLESS PATH OF PHOTOGRAPHY
Not every phase of the photographic journey comes with direction. Sometimes, it begins with not knowing—only the pull to keep going, and the trust that meaning will meet you along the way.
WHEN THE WORK BEGINS TO SPEAK BACK
What we say about our photographs—how we describe them, interpret them, share them—can shape the work itself. After years spent in galleries and in conversation with collectors, I’ve learned that finding the words is more than an afterthought. It’s a creative act of its own.

